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Artful Musings
about Renaissance Art and Digital Art, alone and together
Colour Symbolism in Giotto’s Arena Chapel
Sensory impressions derived from bright colours drew the onlooker from the material to the immaterial, bringing the divine into human life.
Mar 7, 2020
10,619 views
Tim Burton meets Raphael in the Darkness (and the Light)
His suburbia is a blinding pure-colour utopia, brightened with white – unnaturally - without shadow or stain.
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Leonardo's Sfumato
Leonardo once wrote that ‘light and shade should blend without lines or borders in the manner of smoke’.
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Raphael's Unione
Raphael sought to achieve soft shadows and tonal unity, without sacrificing bellezza di colore, or brilliant colour.
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Michelangelo's Cangiantismo
The overall effect of Cangiantismo is slightly dreamy, and an appropriate environment for non-threatening monsters.
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Cennini and the SuperBrights
Cennini created a comprehensive manual, explaining challenges such as ‘How to paint a dead man' and How to paint water'.
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Modes of Renaissance Colour
Colour today, as in Renaissance Italy, artfully fuels an essential escape to alternative states of mind.
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Colour Symbolism in Giotto’s Arena Chapel
Sensory impressions derived from bright colours drew the onlooker from the material to the immaterial, bringing the divine into human life.
10,619
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